Showing posts with label Uwe Heilmann. Show all posts
Showing posts with label Uwe Heilmann. Show all posts

Saturday, June 29, 2013

Preview: A little more of "The Flying Dutchman" -- we hear from the sailors


WAGNER: The Flying Dutchman: End of Act I, Daland, "Hei! Wie die Segel schon sich blähn" ("Hey, how the sails are already filling!") . . . Sailors, "Mit Gewitter und Sturm" ("Through thunder and storm")
DALAND [going aboard his ship]:
Hey, how the sails are already filling!
Hallo! Hallo!
[He gives a signal on his whistle.]
Quick, lads, cast off!
SAILORS [as they sail off]:
Through thunder and storm, through distant seas
I draw near, my lass! Hurrah!
Through towering waves, from the south
I am here, my lass! Hurrah!
My girl, were there no south wind,
I could never come to you:
Oh, dear south wind, blow once more!
My lass longs for me!
Ho! Ho! Ho, yo-lo-ho!
Ho ho ho ho ho!
Ho! Ho! Ho, yo-lo-ho! Ho ho ho ho ho ho!

Hans Sotin (bs), Daland; Vienna State Opera Concert Chorus, Vienna Philharmonic, Christoph von Dohnányi, cond. Decca, recorded March-Nov. 1991

by Ken

Two weeks ago, in our Father's Day special, we made the acquaintance of the Norwegian sea captain Daland in Wagner's Flying Dutchman -- first (barely) surviving a sudden, violent storm just as his ship is nearing home port, in sight of his own house; then introducing his cherished daughter, Senta, to an eminently marriageable fellow sea captain he has met by the most remarkable chance.

The gentleman caller is in fact none other than the legendary Flying Dutchman, doomed to sail the seas until he finds redemption through love. Only the Dutchman turns out to be not a legend but a flesh-and-blood man, and one who could provide for Senta better than Daland could have dared hope. In our excerpt above, after Daland and the Dutchman have gotten to know each other under these bizarre circumstances and the Dutchman has agreed to call on Senta, the sailors have been roused by the sudden rising -- finally! -- of a south wind, the wind that will take them home. What we've heard is in fact the end of Act I.


IF THIS MUSIC SOUNDS FAMILIAR (BUT DIFFERENT) . . .