Part 1: We've got a really terrific performance to hear [UPDATE:] two really terrific performances, actually!
"Everyone tells a story differently, and that story should be told compellingly and spontaneously. If it is not compelling and convincing, it is without value."
MOZART: Piano Concerto No. 19 in F, K. 459:
iii. Rondo: Allegro assai
Radu Lupu, piano; Deutsche Kammerphilharmonie Bremen, David Zinman, cond. Live performance in the Sophiensaal, Munich, July 12, 1990
by Ken
Say, in our clip above (and the linked complete video), is this Radu Lupu being playful in the rondo finale of Mozart K. 459? Playful? Radu Lupu?
I guess we need to back up. We're supposed to be talking about Kurt Moll and Massenet's Werther -- unfinished business from last week's "We're going to be hearing Kurt Moll in his famously 'Unexpected French Role' -- so curtain up!," April 20, and " 'I don't know if I'm awake or if I'm still dreaming' (Do those poets know how to make an entrance?)," April 24. But, well, while progress is being made, that has bogged down a wee bit. And meanwhile I've found myself thinking about -- and listening to -- the Romanian-born pianist Radu Lupu, who died April 17 at 76.
I hadn't taken much notice of Lupu's passing. While I certainly have no lack of respect for a musician of his professional skills and career accomplishments, he wasn't exactly a favorite pianist of mine. I don't think he would crack my Top 50 list -- even a Top 50 list of pianists I've actually heard in performance. Actually, the live performances of his I recall attending were kind of, um (how to put this delicately?), stultifying. After the last of those, I kind of tended to pay less close attention to his career.
At some point, quite possibly a point when I meant to be plowing forward with matters relating to Werther and Kurt Moll, I happened upon a piece by The Guardian's Andrew Clements, "Radu Lupu: Five key performances," which begins:
The project unquestionably got off to a great start, because --
AT THE TOP OF ANDREW C'S LIST IS MOZART K. 459!
GENERAL UPDATE (MONDAY EVENING): There's updating scattered through the post, now that I've been able to look at it and listen to some of the music in context. (Importantly, the clip of the Symphonic Dances from "West Side Story" is fixed, so that it now plays the whole thing, not just track 1!) -- Ed.
"Everyone tells a story differently, and that story should be told compellingly and spontaneously. If it is not compelling and convincing, it is without value."
-- Radu Lupu, quoted by the YouTube poster of a Lupu Brahms First
Piano Concerto with Jukka-Pekka Saraste (which we'll be hearing)
Piano Concerto with Jukka-Pekka Saraste (which we'll be hearing)
MOZART: Piano Concerto No. 19 in F, K. 459:
iii. Rondo: Allegro assai
Radu Lupu, piano; Deutsche Kammerphilharmonie Bremen, David Zinman, cond. Live performance in the Sophiensaal, Munich, July 12, 1990
[UPDATE: Not to worry, we're gonna hear the whole concerto -- which you can watch here. And by the way, note (especially if you look at the video) the average age of the poised German Chamber Philharmonic players playing their young hearts out! -- Ed.]
by Ken
Say, in our clip above (and the linked complete video), is this Radu Lupu being playful in the rondo finale of Mozart K. 459? Playful? Radu Lupu?
I guess we need to back up. We're supposed to be talking about Kurt Moll and Massenet's Werther -- unfinished business from last week's "We're going to be hearing Kurt Moll in his famously 'Unexpected French Role' -- so curtain up!," April 20, and " 'I don't know if I'm awake or if I'm still dreaming' (Do those poets know how to make an entrance?)," April 24. But, well, while progress is being made, that has bogged down a wee bit. And meanwhile I've found myself thinking about -- and listening to -- the Romanian-born pianist Radu Lupu, who died April 17 at 76.
I hadn't taken much notice of Lupu's passing. While I certainly have no lack of respect for a musician of his professional skills and career accomplishments, he wasn't exactly a favorite pianist of mine. I don't think he would crack my Top 50 list -- even a Top 50 list of pianists I've actually heard in performance. Actually, the live performances of his I recall attending were kind of, um (how to put this delicately?), stultifying. After the last of those, I kind of tended to pay less close attention to his career.
At some point, quite possibly a point when I meant to be plowing forward with matters relating to Werther and Kurt Moll, I happened upon a piece by The Guardian's Andrew Clements, "Radu Lupu: Five key performances," which begins:
We have the Leeds Piano Competition to thank for first showcasing the unique poetry of Radu Lupu’s playing: the young Romanian pianist won first prize there in 1969. That success launched his international career, but as the years went by he became a more and more reticent performer, both in the concert hall and on disc. Yet every rare opportunity to hear him was a reminder of just how special a pianist he was, in a repertory that extended from Mozart and Beethoven to Bartók and Janáček, and who was quite peerless in Schubert, Schumann and Brahms. Here are just a few examples of his art.Ooh, there's that word: "poetry." Somehow a legend came into being that Lupu was a "poetic" performer. Maybe that made me curious to see which performances Andrew C was commending to Guardian readers. Which made me curiouser, because I was unfamiliar with most of the performances, and although I'm still in the midst of processing it all, I can say I'm enjoying taking a new look at, or listen to, Lupu. There's an abundance of interesting music-making here, and I may even be getting some sense of why performances that don't hold great interest for me may please other listeners.
The project unquestionably got off to a great start, because --
AT THE TOP OF ANDREW C'S LIST IS MOZART K. 459!
