Mahler Symphony No. 8, "Veni, Creator Spiritus"

If you can bear the video mis-sync, here's the first 8 minutes of Part I of Mahler's monumental Symphony No. 8, his setting of the medieval hymn "Veni, Creator Spiritus," with Sir Simon Rattle conducting the National Youth Orchestra of Great Britain (and soloists and choruses too numerous to mention -- even if I knew who they were) at the 2002 Proms.

by Ken

As I noted in Friday night's preview, there is an unmistakable rupture between Mahler's Eighth Symphony (which has been saddled with the unfortunate rubric "Symphony of a Thousand"; yes, it calls for eight vocal soloists and a double chorus plus children's chorus in addition to orchestra reinforced by organ, but that's a long from a thousand performers) and the song-symphony that followed, Das Lied von der Erde (The Song of the Earth). As everyone surely knows by now, in the interim the composer received the dire diagnosis of his untreatable heart disease.

In the Eighth Symphony, however, we find Mahler from the very outset still at his heaven-stormingest, as we heard in the video clip above.

Performances of the Mahler Eighth were once rare events. By now they have become, if not quite commonplace, then hardly rarities, and recordings . . . well, they have become more or less commonplace. Which makes this once-hardly-approachable work much more readily available, but still hardly easy of approach.

We're going to limit ourselves to Part I of the symphony, Mahler's setting of the medieval hymn "Veni, Creator Spiritus." (Part II, which last more than twice as long, is a setting of the final scene from Goethe's Faust.)