And we start with four Brahms slow movements --
two we've heard before and two we haven't
ii. Andante sostenuto (1876)
Staatskapelle Dresden, Kurt Sanderling, cond. Eurodisc, recorded in the Lukaskirche, 1971
New York Philharmonic, Kurt Masur, cond. Teldec, recorded live in Avery Fisher Hall, May 1994
Cleveland Orchestra, George Szell, cond. Columbia-CBS-Sony, recorded in Severance Hall, Oct. 7, 1966
[UPDATE: Szell performance added early Sunday afternoon]
ii. Adagio (1858)
Clifford Curzon, piano; London Symphony Orchestra, George Szell, cond. Decca, recorded in Kingsway Hall, May 1962
Arthur Rubinstein, piano; Boston Symphony Orchestra, Erich Leinsdorf, cond. RCA, recorded in Symphony Hall, Apr. 21-22, 1964
ii. Andante espressivo (1853)
Arthur Rubinstein, piano. RCA, recorded at the American Academy of Arts and Letters, New York City, December 17, 1959
Clifford Curzon, piano. Decca, recorded in the Sofiensaal, Vienna, December 1962
iv. Intermezzo (Rückblick): Andante molto (1853)
Arthur Rubinstein, piano. RCA, recorded at the American Academy of Arts and Letters, New York City, December 17, 1959
Clifford Curzon, piano. Decca, recorded in the Sofiensaal, Vienna, December 1962
TROUBLE LOADING THE AUDIO FILES?
I'm sure having trouble today, but hey, it's Sunday at Internet Archive, which means heavy traffic. It's funny how this once made me crazy -- ah, the good old days! Trust me, the files are all there, so if need be just keep refreshing. I say the music is worth it.
Of course there's more -- a whole lot more -- to come. Which of course will include proper identification of the music we've heard so far.-- Ken
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