Re-preview: Enter Donizetti's phony-elixir-seller, Dr. Dulcamara

Again, there's a reason why we've been listening to this particular performance of Donizetti's Elixir of Love. We'll get to that, finally, this Sunday (I hope).

by Ken

I'm afraid we got kind of hung up heading from last week's preview, "There's something about the opening of Act II of Donizetti's Elixir of Love," to a post based on Donizetti's great operatic comedy. But I don't mind further-previewing it.

In the original preview we indeed heard the opening of Act II, including the little performance-duet between the traveling quack Dr. Dulcamara and Adina.

DONIZETTI: L'Elisir d'amore: Act II opening, Chorus, "Cantiamo, cantiam" ("Let's sing, let's sing"); Duo, Dulcamara-Adina, "Io son rico, tu sei bella" ("I'm rich, you're beautiful")
[For Italian-English texts, see last week's post.]

Mario Sereni (b), Sgt. Belcore; Renato Capecchi (b), Dr. Dulcamara; Angela Arena (s), Giannetta; Mirella Freni (s), Adina; Rome Opera Orchestra, Francesco Molinari-Pradelli, cond. EMI, recorded August 1966

ENTER DR. DULCAMARA

For now let me just say again that there's a reason why we heard this particular performance of this particular excerpt, and we'll get to that Sunday, probably. Meanwhile tonight I thought we would hear Dr. Dulcamara's entrance in Act I, which at the Met used to be accomplished in a hot-air balloon.

In "Boris Godunov," the Russian people do just as they're told

Although I titled Friday night's preview post "Long live Tsar Boris Feodorovich," we never did get to that famous line from the Coronation Scene of Boris Godunov. If I could have edited this clip, I would have stopped it at 1:58, so we would have heard just:

PRINCE SHUISKY: Long live Tsar Boris Feodorovich!
THE PEOPLE: Long live the Tsar, our father!
PRINCE SHUISKY: Praise him!

(This clip of the Coronation Scene is from the Andrei Tarkovsky-directed Unitel film of Boris, with Yevgeny Boitsov as Prince Shuisky and Robert Lloyd as Boris, Valery Gergiev conducting Covent Garden forces.)

by Ken

As noted in the caption above, I never did get around to the line "Long live Tsar Boris Feodorovich," from the Coronation Scene of Boris Godunov, in Friday night's preview post of that name. So that's where I wanted to start today, and I remembered that YouTube now at least sometimes allows you to edit clips. But apparently it's only the starting point you can choose, whereas I wanted to start at the start and choose my own stopping point. So I'm trusting you to remember that you're honor-bound to watch no farther than that 1:58 point for now.

I think it's hard for anyone not to be gripped by those stark opening chords of the Coronation Scene of Boris Godunov, especially as amped up -- into lusher starkness! -- by Nikolai Rimsky-Korsakov in his now-widely-disparaged version of the opera. For the record, here's how it sounded in Mussorgsky's head:


Andrei Sokolov (t), Prince Shuisky; USSR TV and Radio Large Chorus and Large Symphony Orchestra, Vladimir Fedoseyev, cond. Melodiya-Philips, recorded 1978-83

I have to say that this is the most impactful performance of the composer's version I've heard (though I do wish those damned bells had been reined in). Most pure-Mussorgsky performances tend to sound thin and underpowered. Here again is Rimsky's version:


[ed. Rimsky-Korsakov] Alexei Maslennikov (t), Prince Shuisky; Sofia Radio Chorus, Vienna State Opera Chorus, Vienna Philharmonic, Herbert von Karajan, cond. Decca, recorded November 1970


THE RIMSKY-REVILERS LIKE TO WAX RHAPSODIC . . .