Showing posts with label Sound of Music (The). Show all posts
Showing posts with label Sound of Music (The). Show all posts

Sunday, May 3, 2015

Sunday Classics snapshots: "My day in the hills has come to an end, I know"


My day in the hills
has come to an end, I know.
A star has come out
to tell me it's time to go.
But deep in the dark green shadows
are voices that urge me to stay.
So I pause and I wait and I listen
for one more sound,
for one more lovely thing
that the hills might say.


by Ken

You know what today's musical snapshot is, I'm sure. Or just possibly maybe not. It wasn't till yesterday that I discovered that people all over the world who are intimately familiar with the source may never have heard these beautiful lines.

Need a hint? Here's another haunting musical setup, one that we've already heard (back in January 2011), that's kin to the above. (In my head I frequently get their respective musical destinations mooshed up.)

When I think of Tom, I think about a night
when the earth smelled of summer
and the sky was streaked with white,
and the soft mist of England was sleeping on a hill.
I remember this, and I always will.

There are new lovers now on the same silent hill,
looking on the same blue sea.
And I know Tom and I are a part of them all --
and they're all a part of Tom and me. . . .

Valerie Masterson, vocal; National Symphony Orchestra, John Owen Edwards, cond. Jay, recorded July 1994

THIS, OF COURSE, IS --

Sunday, April 7, 2013

From Risë Stevens in "The King and I" to Patricia Neway in "The Consul"


In 1960, the year after she created the role of the Mother Abbess in Rodgers and Hammerstein's The Sound of Music, soprano Patricia Neway re-created the role of Magda Sorel in The Consul, Gian Carlo Menotti's first full-length opera, which she had created in 1950, including a 289-performance Broadway run.

by Ken

As I mentioned in remembering mezzo-soprano Risë Stevens, after her retirement from the Met, she was tapped by Richard Rodgers for the production of The King and I he oversaw at the Music Theater of Lincoln Center in 1964. We heard a couple of excerpts from RCA's cast recording of the production in Friday night's preview. Today I thought we'd hear the musical numbers of our heroine, the widowed Anna Leonowens, who arrives in Siam with her son Louis to take up the post of governess to the King's chorus of children by his roster of wives.

Naturally, following normal Sunday Classics practice, we start with the Overture.

RODGERS AND HAMMERSTEIN: The King and I

"I whistle a happy tune": Risë Stevens as Anna Leonowens and James Harvey as her son Louis from the 1964 Music Theater of Lincoln Center production of The King and I

Overture